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Tales from the Hood   by jekky

Frame and plots Framing segment The film opens in South Central Los Angeles when a trio of teenage drug dealers arrive at Simms' Funeral Home to purchase some drugs from Mr. Simms (Clarence Williams III), the mortuary's eccentric owner. Simms claims to have found the drugs in an alley, and to have them safely stored in the mortuary. He asks Stack (Joe Torry), Ball (De'aundre Bonds), and Bulldog (Samuel Monroe, Jr.) to help him get the drugs and, as the four make their way through the building, relates stories about some of his recent "customers." Rogue Cop Revelation During his first night on the job, young black police officer Clarence Smith (Anthony Griffith) is taken by his new partner, Newton (Michael Massee), to the scene of what initially appears to be a routine traffic stop of a well-dressed black man. When Clarence runs the car's plates he learns that the man is in fact Martin Moorehouse (Tom Wright), a city councilman and black rights activist who has recently been on a crusade against police corruption. Clarence watches in horror as Newton, together with fellow officers Billy (Duane Whitaker) and Strom (Wings Hauser), brutally beat Moorehouse with their nightsticks and vandalize his car. When Clarence insists Moorehouse be taken to a hospital, two of the officers appear to agree. However, once Clarence leaves they drive Moorehouse' car to the docks. Strom shoots the battered Moorehouse up with heroin, plants some in his car, then pushes it into the water with Moorehouse still inside. Moorehouse is posthumously labeled a hypocrite. One year later Clarence has quit the police force and is a guilt-consumed drunk. On a walk in his neighborhood Clarence sees a mural of Moorehouse, then has a vision of a crucified Moorehouse begging him to "Bring them to me!" Clarence convinces the three police officers involved in the death to meet him at Moorehouse's grave. Once there the officers begin to insult Moorehouse, with Billy urinating on Moorehouse's grave. A zombie-like Moorehouse bursts from the grave to drag Billy beneath the ground by his genitals. Moorehouse's coffin bursts from the ground, opening to reveal Billy's mutilated corpse with Moorehouse clutching Billy's still-beating heart. Strom and Newton flee in horror. A lengthy chase ensues: Moorehouse decapitates Strom and tricks Newton into shooting the gas tank of his patrol car. Moorehouse then chases Newton into an alley, where he telekinetically throws used hypodermic needles into the cop's body, pinning him to a wall mural. Newton screams as he melts into the mural, becoming a painting of himself crucified. His vengeance nearly complete, Moorehouse accosts Clarence and asks him why he didn't help him when he was being beaten. "Where were you when I needed you, brother?" he asks Clarence, then reaches out and grips him. Clarence, blamed for the murders, ends up in a psychiatric hospital. Boys Do Get Bruised Walter (Brandon Hammond) is a quiet and sensitive boy who shows up to school one day with bruises on his arm. Walter's caring teacher, Richard Garvy (Rusty Cundieff), notices the bruises and asks what happened; Walter claims that he was attacked by a monster. A few days later he again shows up with a bruised arm. While the other children play, Walter sits inside and draws a boy named Ty, one of the school bullies. Walter crumples the drawing up causing Ty to suffer spontaneous injuries. Later that night Mr. Garvy visits Walter's home and asks Walter's mother, Sissy (Paula Jai Parker), about the monster. Sissy claims that Walter's injuries are the result of his own clumsiness; she then tells Walter not to reveal anything about the monster to anyone else. As Mr. Garvy is leaving Walter's stepfather, Carl (David Alan Grier, in a very rare non-comedic role) comes home: seen through Walter's imagination, the audience learns that Carl is the onster. Thinking that Walter has told his teacher about him and called him a monster (a tattoo of the word "Monster" can be seen on Carl's arm), Carl terrorizes Walter and then whips Sissy with a belt. Mr. Garvy turns around to check on Walter and sees Carl abusing Walter and Sissy: Mr. Garvy bursts into the house and begins to fight Carl. With Carl's attention elsewhere, Walter grabs a drawing he made of the monster and begins to fold and crumple it; Carl becomes mangled and helpless. Sissy stomps on the wadded-up paper to end the threat. Finally Mr. Garvy gives the paper to Walter, who burns it, completely immolating Carl. KKK Comeuppance Mr. Simms shows a doll, instead of a corpse, to Ball, Stack, and Bulldog. Ball remarks that the "dead motherfucker got killed with the dolls." Mr. Simms agrees, but explains that it wasn't "any ordinary doll." The story begins with Duke Metzger (Corbin Bernsen), an obnoxious and racist Southern senator who was also a former member of the Ku Klux Klan (The character's name is a combination of the names of two well known white supremacists, David Duke and Tom Metzger). The senator is in his office filming a campaign commercial when he sees protesters outside the office: Jewish and African-American groups have teamed up to protest against Duke for being a racist, a former Klansman, and for inhabiting an old slave plantation. One individual tells the reporter about the dolls, animated by the souls of tortured slaves, and warns that it is not a myth. Meanwhile Duke and his African-American "image-maker" assistant notice a large painting of Miss Cobbs, a voodoo witch, and her dolls. Duke says racial slurs to his assistant, who attempts to ignore his rantings. Duke also refers to the dolls as "Negro dolls." One of the dolls is seen under the floorboard as the assistant leaves. While Duke and his assistant are working on Duke's media skills, the assistant falls down the stairs to his death (it is later learned that the doll seen under the floorboard earlier was the cause). In the limo after the assistant's funeral, Duke notices the doll and orders the driver (another African-American who despises Duke) to pull over so he can throw the doll out the window into the street. Duke has done another obscene action, which makes the spirit very angry indeed. Later, after noticing a blank spot on the painting, Duke comes in contact with the doll he threw out on the street and has a fight with it. When Duke throws a vase at the doll, it disappears and attacks Duke out of nowhere. The doll is cannibalistic and tries to eat Duke. Duke is injured, but he manages to stop the doll by beating it with an American Flag. He also damages the painting, from which blood pours. Duke takes the doll outside to his porch and ties it to a dart board. He then blasts the doll with his shotgun and goes back inside to rant at the painting about not being able to beat him and his shotgun. But in the midst of his rant Duke realises more doll images in the painting have faded to white. After Duke begins chasing several small footsteps throughout the house, he finds the previously blasted doll in the hallway, reattaching its head. The doll attacks again and chases Duke into his office. Duke manages to lock the doll outside and tries to figure out a way to help himself. He sees that the painting has all the doll images faded to white. Terrified, Duke turns around to see an army of dolls. He covers himself in the American flag as the dolls converge and devour him. Miss Cobbs then disappears from the painting and manifests herself in the room, holding the first doll in her arms. Satisfied, they both smile as they witness the carnage taking place before them. With both Duke and his assistant dead, the dolls are now satisfied. Hard-Core Convert By now the dealers are getting impatient and want the drugs they came for, not listen to Mr. Simms' strange stories all night. Bulldog is skeptical about the truth of Simms' stories. Ball notices a corpse in another room and says they have to see it. When Simms asks them if they knew the man, Bulldog says it was just someone they had seen around. Mr. Simms explains the final moments of Crazy K. Crazy K (Lamont Bentley) is driving down the streets of LA in his Mustang. Crazy K, who's real name is Jerome John, is a violent gang member and homicidal psychopath who has killed many people without mercy. Coming to a stoplight, he notices the car of an enemy he's been trying to kill for a long time. Crazy K parks in a neighborhood and shoots the enemy when three other men attack from a house nearby. The men shoot Crazy K and are shot by police who arrive at the siege. Crazy K is badly injured but survives, is arrested and sent to prison. Dr. Cushing (Rosalind Cash) arrives at the prison and transfers Crazy K to another facility, hidden deep underground. Crazy K meets an inmate who is a homicidal white supremacist and raves about killing black people and the end of days for blacks, which upsets Crazy K and causes him to punch him in the face. Then the man asks Crazy K the races of the victims he killed, silencing Crazy K because he, in fact, is guilty of killing African-Americans. Crazy K is put through a process of torture to learn that everything he did was wrong ( la A Clockwork Orange). Dr. Cushing tries to make him a new man. His head (with K printed on the front) is shaved off and he is "clean" if he regrets all his violent actions on other people. Crazy K is put through a slideshow of images involving the KKK and victims of lynching along with a montage showing all those he has killed. Dr. Cushing asks if he doesn't like the image of black people dying. She even asks "How many brothers have you slayed?!" Crazy K is put through the next stage, in which he is put in a sensory deprivation chamber. He is confronted by all the souls of his victims and must explain why he killed them. Crazy K has two chances to make up for it: he must succumb to the vengeance of those he's killed or turn his addictive gang life around. He keeps giving false answers until it eventually leads to a young and innocent little girl who had nothing to do with Crazy K; she was killed when Crazy K's bullet came through her window and hit her in the chest. Crazy K doesn't accept responsibility for what he's done; he is selfish and arrogant, saying that he doesn't care about others and doesn't want to be in the place anymore. Dr. Cushing warns him that he won't get another chance for forgiveness. To this, he replies, "I don't give a fuck!" The souls haunt him more and more as he mutters "I don't give a fuck!" until it goes back to the moment when he was shot. It was a final chance for redemption for his sins which he refused, so Crazy K dies brutally. The story ends with Crazy K's corpse lying abandoned on the street. Ending When the last story ends, the three drug dealers are revealed to be Crazy K's killers. They become angry and demand to know how Simms knows of their murder as they threaten to kill him and demand their drugs. Simms leads them deep into the funeral home and tells them their "reward" is in three closed caskets, each of which has their corpse inside. The dealers are terrified to learn that they are dead; at the whim of Simms their guns burn red hot, forcing the dealers to drop them. Simms explains that after killing Crazy K, some of Crazy K's "boys" killed them in retaliation. Confused, Ball says to Simms "So what you tryin to say, we dead muthafucka?" to which Simms replies "VERY!". The now-panicked drug dealers desperately demand to know how Simms knows everything. Simms, growing more eccentric by the second, tells them "This ain't no funeral home!" The three start to realize the gravity of the situation as Simms exclaims: "Welcome to Hell, motherfuckers!" and transforms into Satan. The drug dealers are terrified as the walls of the funeral home shatter to reveal the fiery reality of where they had been all along: Hell. The movie ends with the dealers burning in agony, along with others, as Satan laughs. Soundtrack Main article: Tales from the Hood (soundtrack) A soundtrack containing hip hop music was released on May 9, 1995 by MCA Records. It peaked at #16 on the Billboard 200 and #1 on the Top R&B/Hip-Hop Albums. Rating The movie is rated R for "graphic brutal violence and strong language" by the MPAA. Release The movie was released theatrically in May of 1995. Later that year, the movie was released on VHS by HBO. In 1998, HBO released the movie on DVD, but the DVD is now out of print. As of December 21, 2009, there are currently no plans for a new release. References http://www.blockbuster.com/movies/tales-from-the-hood.html from blockbuster External links Tales from the Hood at the Internet Movie Database Pictures from IMDb v d e Films directed by Rusty Cundieff Fear of a Black Hat (1994) Tales from the Hood (1995) Sprung (1997) Categories: 1995 films | 1990s horror films | Hood films | 40 Acres & A Mule Filmworks films

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